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Grade 10 MAPEH Music Q1 Module 1

This document provides an overview of 20th century musical styles including Impressionism, Primitivism, Neo-Classicism, Avant-Garde music, and Modern Nationalism. It discusses key characteristics and composers for each style. Impressionism focuses on mood and avoids traditional harmony, exemplified by Debussy and Ravel. Primitivism combines simple ideas to create new sounds, used by Stravinsky and Bartok. Neo-Classicism combines tonality with dissonance, seen in works by Stravinsky, Hindemith, and Prokofiev. Avant-Garde music experiments with sound and form without rules, represented by Gershwin, Glass, and C
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82% found this document useful (11 votes)
130K views12 pages

Grade 10 MAPEH Music Q1 Module 1

This document provides an overview of 20th century musical styles including Impressionism, Primitivism, Neo-Classicism, Avant-Garde music, and Modern Nationalism. It discusses key characteristics and composers for each style. Impressionism focuses on mood and avoids traditional harmony, exemplified by Debussy and Ravel. Primitivism combines simple ideas to create new sounds, used by Stravinsky and Bartok. Neo-Classicism combines tonality with dissonance, seen in works by Stravinsky, Hindemith, and Prokofiev. Avant-Garde music experiments with sound and form without rules, represented by Gershwin, Glass, and C
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
  • Introduction to 20th-Century Music
  • Impressionism
  • Primitivism
  • Neo-Classicism
  • Avant-Garde Music
  • Notable Composers
  • Electronic Music
  • Chance Music
  • Post-Test

MAPEH GRADE 10

Journey to Modern Life!


Quarter 1 Week 1 Module 1

MUSIC MELC:
Describes distinctive musical elements of given pieces in 20th Century Styles.
MUSIC OF THE 20th CENTURY

Lesson 1: IMPRESSIONISM, PRIMITIVISM, NEO CLASSICISM,


AVANT- GARDE MUSIC, MODERN NATIONALISM
IMPRESSIONISM
-Is a style of music that makes use of sound to let the listener feel the moods that focus on the
th
structure of music. It started and developed in France in the 19 century.

Characteristics:
1. The rhythm of impressionism music is irregular in terms of phrases.
2. It avoids the traditional harmonic progression
3. It has unresolved dissonance
4. Frequently uses modality

Dissonance – is the lack of agreement and consistency in the progress of harmony of music
Modality–used in music composition, meaning that the traditional way of composing was
abandoned in Impressionism music

Best Composers of Impressionism


 Claude Debussy
 Maurice Raval
 Arnold Schoenberg
 Igor Stravinsky

Debussy’s mature creative period was represented by the following works:


 Ariettes Oubliees
 Prelude to the Afternoon of a Faun
 String Quartet
 Pelleas et Melisande (1895) – his famous operatic work
 La Mer (1905) – a highly imaginative and atmospheric symphonic work for orchestra about
the sea
 Images, Suite Bergamasque and Estampes – his most popular piano compositions.
Ravels works includes the following:
 Pavane for a Dead Princess (1899)
 Jeux d Eau or Water Fountains (1901)
 String Quartet (1903)
 Sonatine for Piano (1904)
 Miroirs (Mirrors, 1905)
 Gaspard de la Nuit (1908)
 Valses Nobles et Sentimentales (1911)
 Le Tombeau de Couperin (1917)
 Rhapsodie Espagnole (1907-1908)
 Bolero (1875-1937)

His works includes the following:


 Verklarte Nacht, Three Pieces for Piano
 Pierrot Lunaire
 Gurreleider
 Verklarte Nacht (Transfigured Night,1899) – one of his earliest successful pieces
The Firebird Suite (1910) – his first successful masterpiece
Stravinsky adapted the forms of the 18th century with his contemporary style of writing.
Other outstanding works include the ballets Petrouchka (1911), featuring shifting rhythms and
polytonality (a signature device of composer).
The Rise of Spring (1913), in which a new level of dissonance was reached.
In 1939 he left Russia for United States and cultivates his neo-classical style.
The Rake’s Progress (1951)- a full length opera, alludes heavily to the Baroque and Classical
styles of Bach and Mozart through the use of harpsichord, small orchestra, solo and ensemble
numbers.
Stravinsky’s musical output approximates 127 works, including concerti, orchestral music,
instrumental music, opera, ballets, solo vocal and choral music.
==========================================================================

PRIMITIVISM
Primitivistic music is tonal through the stressing of one note as more important than the
others. New sounds are synthesized from old ones by juxtaposing two simple events to create a
more complex new event. In its purest form, primitivism combines two familiar or simple ideas
together Creating new sounds. Primitivism has links to Exoticism through the use of materials from
other cultures, to Nationalism through the use of materials indigenous to specific countries and to
Ethnicism through the use of materials from European
ethnic groups.
Two well-known proponents of this style were Stravinsky and Bela Bartok.
It eventually evolved into Neo-classicism.
As a neo-classicist, primitivist and nationalist composer, Bartok used Hungarian folk themes
and rhythm. Bartok is most famous for his Six String Quartet (1908) – these represents the
greatest achievement for his life.

 The Concerto for Orchestra (1943), a five movement work composed late in Bartok’s life.
 Allegro Barbaro (1911) – his short and popular solo piano
 Mikrokosmos (1926) – a set of 6 books containing progressive technical piano pieces.

Bartok’s approximately 700 musical compositions include concerti, orchestral music, piano
music, instrumental music, dramatic music, choral music and songs.

NEO- CLASSICISM

Was a moderating factor between the emotional excesses of the Romantic period and the
violent impulses of the soul in expressionism. In essence, a partial return to an earlier style of
writing, particularly the tightly-knit form of the Classical period, while combining tonal harmonies
with slight dissonances. It also adopted a modern, freer use of the seven-note diatonic scale.

Examples of Neo-classicism are


Bela Bartok’s Song of the Bagpipe and Piano Sonata.

The Neo-classicist style was also’ used by composers such as Francis Poulenc, Igor
Stravinsky, Paul Hindemith and Sergie Prokofieff.

 He also wrote Peter and the Wolf – a lighthearted orchestral work


 He was highly successful in his piano music (piano concerti and sonatas)
 Symphony no.1 (also called Classical Symphony)– his significant compositions
 He also composed violin sonatas, some of which are also performed on the flute; two highly
regarded violin concerti and two string quartet inspired by Beethoven.
His works includes the following:

1. Concert Champetre (1928) – harpsichord concerto


2. Concerto for Two Pianos (1932) – combines the classical touches
Of Mozart with a mixture of style of Ravel
3. Concerto for Solo Piano (1949) – written for the Boston
Symphony Orchestra
4. Les Mamelles de Tiresias (1944)
5. Dialogues des Carmelites (1956)
6. La Voix Humane (1958)

AVANT-GARDE MUSIC
Closely associated with Electronic music. The avant-garde movement dealt with the
parameters or the dimensions of sound in space.

The avant-garde style exhibited a new attitude toward musical mobility.

The unconventional methods of sound and form, as well as the absence of traditional rules
governing harmony, melody and rhythm make the whole
concept of avant-garde music

Avant-Garde Composers:
1. George Gershwin
2. Leonard Bernstein
3. John Cage
4. Philip Glass
5. Olivier Messiaen
6. Pierre Boulez
His works includes the following:

1. West Side Story (1957)


2. Broadway hit Candide (1956)
3. Mass (1971)
4. On the Waterfront (1954)
5. Young Peoples Concerts (1958)
His works includes the following:
1. Music in Similar Motion (1969)
2. Music in Changing Parts (1970)
3. Satyagraha (1980)
4. Akhnaten (1984)

Modern Nationalist
A looser form of 20th century music development focused on nationalist composers and musical
innovators who sought to combine modern techniques with folk materials.
In Eastern Europe, prominent figures of this style included the Hungarian Bela Bartok and the
Russian Sergei Prokofieff, who were neo-classicist to a certain extent.
 In Russia, a highly gifted generation of creative individuals known as the Russian Five:
 Modest Mussorgsky
 Mili Balakirev
 Alexander Borodin
 Cesar Cui
 Nikolai Rimsky Korsakov
ELECTRONIC MUSIC

The capacity of electronic machines such as synthesizers, amplifiers, tape recorders,


and loud speakers to create different sounds was put to creative use by 20 th century composers
like Edgar Varese,Karlheinz Stockhaustein and Mario Davidovsky.

Music that uses the tape recorders called musique concrete or concrete music. The
sounds are arranged by the composer in different ways. The composer is able to experiment with
different sounds that cannot be produced by regular music instruments such as piano or violin.
CHANCE MUSIC

Refers to a style in which piece sounds different at every performance because of the
random techniques of production, including the use of ring modulators or natural elements that
become a part of the music.

Most of the sounds emanate from the surroundings, both natural and man-made, such as
honking cars, rustling leaves, blowing wind, dripping water or a ringing phone.
An example is John Cages Four Minutes and Thirty-Three Seconds, where the pianist
merely opens the piano lid and keeps silent for the duration of the piece.
SOURCE:
POWERPOINT PRESENTATION
ABELARDO G. FERRER
Master Teacher I, Agno National High School

Common questions

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Avant-Garde music challenged conventional rules by exploring new parameters of sound, space, and musical mobility. It ignored traditional harmony, melody, and rhythm to create innovative and unconventional musical forms. Prominent figures in Avant-Garde music included John Cage, known for pieces like '4'33"', which involved silence as a form of music, and Philip Glass, who pioneered minimalism .

Primitivism in music incorporates exoticism by using materials from non-Western cultures and nationalism by integrating elements indigenous to specific countries. This style synthesizes new sounds by juxtaposing simple, familiar ideas to create more complex impressions. Igor Stravinsky and Bela Bartok were leading composers in Primitivism, with Stravinsky's 'The Firebird Suite' and Bartok's use of Hungarian folk themes in compositions like his 'Six String Quartet' exemplifying this style .

Igor Stravinsky's work exhibited a synthesis of traditional and modern elements through his neo-classical techniques. He utilized 18th-century forms with contemporary styles, evident in his adaptation of shifting rhythms and polytonality in compositions like 'Petrouchka.' His later work, 'The Rake's Progress,' showcased a hybrid of Baroque and Classical influences, notably in its use of harpsichord and combination of historical forms with modern orchestration .

Neoclassicism responded to the emotional excesses of the Romantic period by returning to forms and structures from the Classical period, emphasizing balance and objectivity. It simultaneously incorporated slight dissonances and a modern use of the seven-note diatonic scale. This style was marked by a 'moderating' tonal harmony. Influential composers included Igor Stravinsky, who used Classical forms with contemporary twists, and Bela Bartok, who integrated Hungarian folk music into a neoclassical framework as seen in his 'Concerto for Orchestra' .

John Cage's '4'33"' is significant in Avant-Garde and chance music as it challenges the definition of music itself by featuring a performance of silence. The piece emphasizes the ambient sounds occurring during the performance as its content, inviting audiences to reconsider noise, silence, and the role of chance in music. This work exemplifies the avant-garde rejection of traditional musical boundaries and encourages auditory awareness beyond conventional compositions .

Impressionism in music departed from traditional harmonic progression by utilizing irregular rhythms, unresolved dissonance, and modality, which means abandoning the conventional way of composing. This style focused on mood and atmosphere rather than structured form. Claude Debussy and Maurice Ravel were prominent composers in this movement. Debussy's works like 'Prelude to the Afternoon of a Faun' and 'La Mer' epitomize the impressionistic style with their innovative use of sound to evoke emotion and imagery .

Electronic music expanded musical possibilities by employing machines like synthesizers and tape recorders to create sounds beyond traditional instruments. Composers like Edgar Varese and Karlheinz Stockhausen utilized these tools to explore new sonic dimensions. Chance music, pioneered by John Cage, used random elements and environmental sounds, allowing music to vary with each performance. These innovations challenged conventions and allowed for a broader range of creative expression .

Bela Bartok incorporated indigenous influences, particularly Hungarian folk music, into his compositions, which added authenticity and cultural richness to his neoclassical style. By integrating folk rhythms and melodies, Bartok enriched traditional forms with regional character, as seen in works like 'Concerto for Orchestra.' This approach broadened the scope of Neoclassicism by blending local elements with classical structures, thus influencing modern music's evolution .

Maurice Ravel's style is marked by elaborate textures, innovative orchestration, and modal harmonies that reflect Impressionism's focus on atmosphere and mood. Works such as 'Pavane for a Dead Princess' and 'Jeux d'Eau' highlight these characteristics through their delicate, fluid soundscapes and avoidance of traditional harmonic progression, creating vivid auditory imagery and emotive expressions .

Modern nationalist composers sought to combine modern compositional techniques with folk elements characteristic of their cultural heritage. In Eastern Europe, composers like Bela Bartok and Sergei Prokofieff incorporated national elements such as Hungarian folk themes, as evident in Bartok's 'Concerto for Orchestra.' These composers balanced new methods and indigenous sounds, establishing a distinct musical identity that reflected their national culture .

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